"It goes without saying that what the architect chooses to draw, using his sketchbook as a record of observation, reveals the examination of his artistic conscience."[1]

[background]

This Self-directed thesis project began with an investigation into the nature of our personal artistic conscience: those experiences, images, impressions and memories that make up the totallity of the artist.

[references]

1. Michael Graves,"Le Corbusier's Drawn Reference," in Le Corbusier: Selected Drawings (London: Academy Editions, 1981): 8-25